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The composition p(X) for eight loudspeakers is my first multichannel work.
The piece sets off with strepitous voices, but gradually grows more mellow with
deep bell-like sustained tones. The plan was to make a two-channel piece, but
finally there were eight streams of sound that can be best heard - like
independent musical instruments - from separate loudspeakers, because the
spectra are rich. Therefore, instead of spatial movement, the experience of the
sonorities and timbres of the music is more important.
The computer music work p(X) is written with C++ and MAL-d synthesis