Void iii begins with deep pitched-membranophone sounds that have a controlled simulated acoustic feedback. The membranophone sounds return later on periodically. Between the recurring percussive episodes, there are sections where other kinds of voices emerge.
The work Void iii (2020) is written with C++ and a synthesis software built by the author. The technical realization uses granular and physically-inspired synthesis, among other methods.
Format: 8 channel (octophonic) Tape
(Speaker Configuration: Any possible arrangement of eight loudspeakers will do.)
Year Composed: 2020
Synthesis environment - Software: MAL-d synthesis software, Hardware: compatible PC
Copyright © 2021 kari väkevä